PIC of the Week – Widows
Ray Schillaci’s PIC of the week at TheMovieGuys.net for 2/7/19 – Widows
Ray Schillaci’s PIC of the week at TheMovieGuys.net for 2/7/19 – Widows
Yikes. Where to begin on the awfulness of the new Netflix film THE LAST LAUGH?
The motion picture Academy has postponed creating a “Best Popular Film” category. Paul Preston explains why it should never see the light of day.
Every once in a while, a real IMAX treat comes along that is not to be missed on the grandest scale. This year, it’s FREE SOLO.
Paul Preston of The Movie Guys interviews Bragi Schut, writer of ESCAPE ROOM, about how this new thriller came to the big screen.
Paul and Adam get to know hard-working actor Max Martini, who goes in-depth on making a meaningful indie (SGT. WILL GARDNER) and offers up great stories from the set of some modern classics.
There’s a lot going on in DC/Warner Brothers’ AQUAMAN. Movie Guys Ray & Paul have to talk it out.
I never in a million years thought I’d see Ivan Drago on the big screen, and HERE HE IS.
Sometimes a film can be both a money and awards magnet. I hope GREEN BOOK can pull that off.
Any time the movie reveals something amazing that Quincy Jones that you either never knew for forgot about – DRINK.
Melissa McCarthy delivers one of her more entertaining movies in years!
Paul Preston looks closer at actors who not only interact with characters who aren’t there, but also non-existent locations.
Paul Preston hits the red carpet to chat it up with attendees at the premiere of LUCHA VA VOOM: INSIDE AMERICA’S MOST OUTRAGEOUS SHOW in Hollywood.
Paul Preston talks to MaJaMa, the production team behind the sure-to-be-a-cult-hit terror movie spoof BAD CGI SHARKS – Matthew Ellsworth, Jason Ellsworth & Matteo Molinari.
The Oath isn’t afraid to conjure up metaphors for the decaying state of our democracy, but it’s funny A LOT.
Paul Preston of The Movie Guys interviews Ike Barinholtz, writer/director/star of the new film, THE OATH.
Chazelle is just as adept at handling a more pensive storytelling style as he was when he pulled out all the stops and won the Oscar.
Two producers of LOVE, GILDA, James Tumminia and Alan Zweibel, join Paul and Karen for a deep dive into the first definitive documentary about Gilda Radner.
You’ll be charged-up with the desire to talk about art, go see some art, or even more so, MAKE some art.
Movie Guy Ray Schillaci tracks the birth and tragic decline of film subscription service MoviePass.
The desire to shock with some of the filthiest jokes and scenes you’ll see in a movie this year wins out over being clever.
Paul Preston’s PIC of the week at TheMovieGuys.net for 8/9/18 – Avengers: Infinity War/Ready Player One
The great Kate Flannery talks about her new film, her years on THE OFFICE and how she late-bloomed into a regular in the national comedy scene.
Paul Preston talks to prolific stuntman Nicholas Daines about how he started in the stunt profession, plus Nicholas gives up some on-set stories and we find out what’s next for him.
This is a Tom Cruise movie, a sure sign that you’re not going to witness an unambitious production.
What happens after Avengers die? Ant-Man!
Catch a glimpse of the sights at this year’s San Diego Comic-Con from Paul Preston and Justin Bowler’s picture diary. Excelsior!
It doesn’t hurt that the cast here and in the previous film are all great actors jumping into the fun full-on.
Lo and behold, Fred Rogers is legit!
JURASSIC WORLD: FALLEN KINGDOM wins mainly for its double down on excitement.
Paul Preston calls into LA Talk Radio’s State of The Arts to discuss his night in Beverly Hills at the program “The Sherman Brothers: A Hollywood Songbook”.
The backstory of the rascally space smuggler who lost the woman he loved, was killed by his son and nobody cared finally comes to the big screen.
A well-made piece of entertainment that one-ups pricier, higher profile movies out there.
Paul Preston talks to doc filmmaker Jon Brewer about MONOCHROME: BLACK, WHITE AND BLUE, a dense and detailed look at blues music and how it’s woven into American history.
This film is a return to form for Jason Reitman.
There doesn’t seem to be a director out there who can tap into McCarthy’s mad genius quite like Paul Feig.
Despite the film’s unremarkable execution, the zeal with which Schumer jumps into Renee, asking us to root for her, is contagious.
A glorious, exciting, unparalleled, intricate, thrilling LOT.
RAMPAGE, the latest blockbuster vehicle for Dwayne Johnson, is suuuuuuuuuper stupid.
Armando Iannucci is in the business of satire like no one else right now.