Movie Review – Solo: A Star Wars Story
The backstory of the rascally space smuggler who lost the woman he loved, was killed by his son and nobody cared finally comes to the big screen.
The backstory of the rascally space smuggler who lost the woman he loved, was killed by his son and nobody cared finally comes to the big screen.
A well-made piece of entertainment that one-ups pricier, higher profile movies out there.
Paul Preston talks to doc filmmaker Jon Brewer about MONOCHROME: BLACK, WHITE AND BLUE, a dense and detailed look at blues music and how it’s woven into American history.
This film is a return to form for Jason Reitman.
There doesn’t seem to be a director out there who can tap into McCarthy’s mad genius quite like Paul Feig.
Despite the film’s unremarkable execution, the zeal with which Schumer jumps into Renee, asking us to root for her, is contagious.
A glorious, exciting, unparalleled, intricate, thrilling LOT.
RAMPAGE, the latest blockbuster vehicle for Dwayne Johnson, is suuuuuuuuuper stupid.
Armando Iannucci is in the business of satire like no one else right now.
Richard Gere appears in good movie after good movie and it’s time you noticed.
Paul Preston joins long-time friend of the show Dono Cunningham for READY PLAYER ONE. They hit the NY streets before & after to talk RPO, VR, 4DX and other acronyms.
It’s a welcome surprise to see good acting and meticulous filmmaking win out over big budget thrills.
Paul Preston reviews PACIFIC RIM: UPRISING for TheMovieGuys.net: “If ever there was a film crying out for using your MoviePass, this is it.”
Another year of Oscar nominations has come and gone and still no accolades for Andy Serkis.
If you’re ever wondering if a movie is worth seeing, just look for two words – Annette Bening.
A smart and surprising relationship drama with an accomplished cast.
Josh Helman and Jennifer Allcott join Movie Guys Paul Preston and Adam Witt to go deep with stories from the indie film set of KATE CAN’T SWIM.
Ray Schillaci’s PIC of the week at TheMovieGuys.net for 2/1/18 – Last Flag Flying
THE DISASTER ARTIST (and the book on which it is based) tries to pull back the veil on who Tommy Wiseau is and how his project went wrong.
So ripe for dramatization I really am surprised it hasn’t happened before now.
Not a lot of movies are vital. THE POST is.
Tami Stronach joins Paul Preston & Karen Volpe for a career-spanning conversation, covering THE NEVERENDING STORY, on through what she’s currently up to.
Plummer dominates not only his scenes, but he casts a powerful presence over the entire story.
2017 is a good year for movies, but mostly because it’s the 30th anniversary of the greatest year for movies ever.
A flat-out glorious, larger-than-life MUSICAL (capitals required) and proud of it.
The pull away from the ‘70s filmmaking that made 1977’s STAR WARS great continues with a disappointing THE LAST JEDI.
Funny and moving, anchored in the expected solid work of three quality actors.
BRAVE and INSIDE OUT both won Oscars, and I’m predicting the same for COCO.
Coven director Mark Borchardt is a real Movie Guy. Here, he makes his triumphant return to The Movie Guys’ podcast to talk about his favorite films of all time.
I was a big watcher of THE DANA CARVEY SHOW back in 1996. Well, as big as one could be watching a show that only lasted seven episodes.
In the wake of Charles Manson’s death, Movie Guy Ray Schillaci and filmmaker Marcus Nispel look at the cult of Manson and the cult of fame.
This title doesn’t really frame the Marvel/DC dichotomy correctly because it lists Marvel as following DC, which has never, ever happened.
Branagh pays great attention to the overall ugliness of this crime and the sadness and loneliness that follows Poirot.
OK, you have homework. See American Made before it leaves theaters!
The theater was packed, and 3/4 of the audience had already seen the film multiple times. What could I have been missing?
Every now and then, Adam Sandler finds himself in a prestige project. He should do it more often, they sit well on him.
A bold push forward on a classic story, told with overwhelming style.
Stellar science fiction with a wholly realized futuristic universe and much to say.
Stephen Frears veers between comedy and drama in the same film, to mixed results.
This historical Trump allegory with a better ending benefits from two excellent lead performances.