REPORTING FROM THE FLOOR OF COMIC-CON 2010
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Sleep, movies, and reviews… all best if they don’t muddle too much in the in-between portion of matters. Best to get to the point.
Much like Pixar’s ability to make original movies that rank among the best films every year, they show again that they can generate a sequel better than most franchises as well. 
Did Jerry Bruckheimer produce “Prince of Persia”? Yes. Does it look like he did? Yes. Is that because it’s good? No.
There might not be any moshing at a screening of “Get Him To The Greek”, but cheering certainly isn’t out of the question.
In the process of moving a decent SNL skit to the big screen, the same thing that usually happens has happened again.
It’s the kind of movie you’ll go back and forth on again and again like an ex-boyfriend you’re not sure if you should keep dating.
I will start off by saying that you absolutely need to be an avid Phish fan to get any enjoyment out of “Phish 3D”
My new least favorite perspective: “Well, it was fun. You know, you turn your brain off and it’s a good popcorn movie.”
I wouldn’t call myself a Mel Gibson apologist. That would presume I’m OK with the fanaticism that seems to follow his real life. But, artistically, I’m a HUGE fan.
“How to Train Your Dragon” is based on a book, which might be another reason for the film being the first I’ve seen from DreamWorks Animation that really has heart.
Anyone walking in to a theater with “Hot Tub Time Machine” on the marquee should understand that this is going to be a pretty ridiculous film.
Frankly, a review of Tim Burton’s “Alice in Wonderland” seems as superfluous to me as . . . well, a review of Tim Burton’s “Charlie and the Chocolate Factory”!
Our critic Joel Frost reviews THE CRAZIES and explains why no one measures up to Scorsese
Classics? Perhaps not. But considerably better than their rep, and worth at least a look-see by the discriminating cinephile.
This movie is where ol’ Stan began – in my mind – to vanish into his own hermetically sealed vault of cinematic pretension and designer, knee-jerk nihilism.
Thank God that we have fantastic indie films that don’t have to cower to the whims of the Great and All-Powerful Oz-es of the film world.
A film festival that seemed more interested in pleasing their audience with a good lineup than with glitz and hype. 
An entertaining and enlightening look at the world of “independent” film festivals that all independent filmmakers MUST see!
No stone is unturned in Paul Preston’s annual, exhaustive rant on all the nominees and the best and worst films of 2009.
We all have ‘em: movies that we like, even love, which somehow get lost in the grand shuffle called “posterity”.
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Capsule reviews include "Brooklyn's Finest" and "The Book of Eli". Quick plot, quick opinion and we're out.
